Mark Palermo- music compositions
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1960's arrangements/ live recordings
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I am a very creative person. Some people have a creative idea once in a while, but I have creative sparks coming out of my head every day. Everyone is a creative person. Sometimes they just don't know it. Or they have had the creativity crushed out of them by schools or negative forces in their lives that they sometimes don't understand. That may seem a funny thing to say coming from me-a teacher- but it's true. I have the highest respect for great teachers, but a bad teacher is a threat to young souls.If a bad teacher were merely a waste of time, it wouldn't be so bad. But a bad teacher can make you doubt yourself, make you think you are not good enough, discourage your creative abilities. Self-doubt leads to the corruption of the spirit.
 
I remember when I first decided that music had real value at a time when I was seeking meaning. When I was 17 years old I was driving one day in downtown Lawrence, Massachusetts in 1967 and a song came over the radio. It was Eric Burdon and the Animals singing Monterrey. One of the lines from the song was, "If you want to find the truth in life, don't pass music by." It stuck in my mind, it "resonated." And my life has been enriched a lot by music.
 
I started playing when I was 14 years old. My mother bought me a used guitar. I took lessons for about six months and then I taught myself to play. I started out with a band a year later. We played Friday night high school dances and parties. Part of my motivation was the music itself, and another part was that it gave me an chance to overcome shyness and meet girls. I played in a few more bands when I was in my teens.
 
When I was 22 I played in a serious band called BRODY. We played college mixers and dive bars doing pop standards of the time like Led Zeppelin, the Allman Brothers, etc. The following year, I switched to bass guitar, and got a job in a country-rock band that had a lot of work and interesting times-coming off a record!
 
When I was in my early thirties, I was a street musician in Madrid, Spain. It's a long story how that happened. Let's just say I never planned to do it, but like a lot of things in life, experiences just come upon you. Looking back, it was a very interesting and time of my life. Being an instructor in a community college, I see a lot of students at mid-life learning how to start over and I remember those days.
 
Musically I grew quite a bit during that time.  I learned not just to strum a guitar, but to play with all fingers using picks. I learned that you can get a lot more out of a guitar that way. I had some really memorable times in Spain. A very interesting thing I learned was that Spaniards, and everyone else for that matter, want to feel good. They want songs that uplift them, or inspire them, or make them feel good. They don't want to be brought down. And whenever I was depressed, I learned to kill it, and get on with my music. It was my job. "Before you walk in the sun, you've got to smile in the rain." I love that expression. This is not a prescription for superficiality, but a roadmap for a romantic and spiritual life.
 
Spaniards love live music, and many times I would go out in downtown Madrid, stop for a drink in a tavern , somebody would ask me to play a song,  and they wouldn't let me spend a dime. Just keep playing... sometimes half the night!  It has been many years since and things change, but Spaniards loved to participate in the music making; unlike here, they didn't just see a guitarist/singer as  somebody whose job it is to provide them entertainment while they sit passively. I could play all night because it was energizing.
 
In the eighties I played with BACKSTREET 60s,(see picture on homepage) a retro, R and B group. We had a feel for Motown stuff, and we threw in some do-wop and British invasion stuff. We played some real dive bars in Lawrence, Massachusetts.I started with the band playing lead electric guitar, but I don't consider myself a good guitar soloist- although I am an excellent guitar picker, but this was electric stuff, not acoustic. We later picked up a guy who was much better then I was, and we needed an organ player, so I just up and became the organ player! We had great times toghether. Personally we had absoutely nothing in common with each other. We worked in different occupations. We had radically different world views and politics. But it didn't matter a bit. Because it was the creative force that unified us. Saturday afternoons were our rehearsal days. We would drink a lot of beer and work out our arrangements. Sometimes one of us would remember to turn on a recorder. It was fun, and if music isn't fun- I don't do it.

In my forties I incorporated music into my teaching of language. Now I am fifty-six and I am creating electronic music, and developing my skills on the keyboard. I fill in occasionally as organist at the Riverside Congregational Church in Lawrence, Massachusetts. They have a great old organ there. It's eighty years old with massive pipes. It is incredible playing it. So that's what music is to me: life long learning. Maybe that's why I work at a community college where we get incredibly motivated students who are in love with learning. One of my students last semester was an 86-year-old guy. My kind of people. So taking the advice of Eric Burdon, there is indeed truth in music. If you are really engaged in it, you never stop learning.

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Here I am cranking out old gospel hymns.

In the background, you are hearing one of my compositions, "Groove 98.7," which I composed and performed entirely on a Casio CTK-900 composer's keyboard. I try to keep up with today's formidable music technology, and I incorporate it - as long as it doesn't get in the way of the music- and it often does. Music is a language of the soul, not an exercise of ever more complex scales and computer expertise. Music technology is like booze; a little taste brings out the good, a lot brings out the worst. If many of today's pop songs sound as if they were made by a computer, that's because most of them are. You may be surprised to know that most recordings nowadays don't even use a live drummer. Do they think they can replace human beings in the performing of music?  I have two words to say to that:Louie Armstrong.